Guide Postmodernism, Traditional Cultural Forms, and African American Narratives

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Summary of Postmodern Art
Contents:
  1. Product description
  2. Literary Theory
  3. [PDF] Postmodernism, Traditional Cultural Forms, and African American Narratives - Semantic Scholar
  4. Postmodern American Literature and Its Other

Product description

The various artists in the modern period were driven by a radical and forward thinking approach, ideas of technological positivity, and grand narratives of Western domination and progress. The arrival of Neo-Dada and Pop art in post-war America marked the beginning of a reaction against this mindset that came to be known as postmodernism.

The reaction took on multiple artistic forms for the next four decades, including Conceptual art , Minimalism , Video art , Performance art , Institutional Critique , and Identity Politics. These movements are diverse and disparate but connected by certain characteristics: ironical and playful treatment of a fragmented subject, the breakdown of high and low culture hierarchies, undermining of concepts of authenticity and originality, and an emphasis on image and spectacle.

Beyond these larger movements, many artists and less pronounced tendencies continue in the postmodern vein to this day.


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After the horrors of World War II set in, technology continued to grow and dominate, and the world became more interconnected. Artists and theorists drew a line in the sand - they adjusted and a new, "post-ISM" creative period was defined. As the art historian Robert Hewison said "Postmodernism is modernism with the optimism taken out. The below artworks are the most important in Postmodern Art - that both overview the major ideas of Postmodern Art, and highlight the greatest achievements by each artist.

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Literary Theory

Don't forget to visit the artist overview pages of the artists that interest you. They were made in the months after her death in by Warhol who was fascinated by both the cult of celebrity and by death itself; this series fused the artist's interests. The color contrasted against the monochrome that fades out to the right is suggestive of life and death, while the repetition of images echoes Marilyn's ubiquitous presence in the media.

This work can be conceived of as postmodern in many senses: its overt reference to popular culture and low art challenges the purity of the modernist aesthetic, its repetitive element is an homage to mass production, and its ironic play on the concept of authenticity undermines the authority of the artist.

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The use of a diptych format, which was common in Christian altarpieces in the Renaissance period, draws attention to the American worship of both celebrities and images. All of these translate into an artwork that challenges traditional demarcations between high and low art and makes a statement about the importance of consumerism and spectacle in the s.

His works are monumental but placed directly on the floor, dispensing with the pedestal or plinth normally associated with sculpture in a way that literally places the work of art in the viewer's own space. His work use the absurdity reminiscent of Dada's "readymades" to elevate a piece of everyday life to the status of art Shuttlecocks is a later work installed in front of the classical architecture of the Kansas City museum. Through these objects he underscores the larger-than-life quality of popular or low culture - in this case a simple game of badminton on an open lawn - in everyday life.

Oldenburg's essay entitled, 'I Am for an Art,' succinctly expresses his belief that anything can and should be considered art.

[PDF] Postmodernism, Traditional Cultural Forms, and African American Narratives - Semantic Scholar

Canvas filled with foam rubber and cardboard boxes, painted with acrylic paint - Nelson-Atkins Museum of Art, Kansas City. They were offered a range of objects - each selected for either pleasure or pain, including knives and a loaded gun. After initially provoking a playful reaction, during the six-hour performance she was subjected to an increasing level of aggression, resulting in violent and disturbing occurrences.

This pioneering piece broke new grounds in the postmodern shift towards audience participation through its total relinquishing of authorship and control from the artist to the audience, thus challenging the modernist notion of the unique and autonomous artist figure. Spaulding enriches our understanding of conventional literary categories.

Postmodern American Literature and Its Other

Re-Forming the Past is a timely contribution to African American literature and an overdue contribution to postmodern studies. The slave experience was a defining one in American history, and not surprisingly, has been a significant and powerful trope in African American literature. In Re-Forming the Past, A.

Postmodernism Traditional Cultural Forms and African American Narratives

Timothy Spaulding examines contemporary revisions of slave narratives that use elements of the fantastic to redefine the historical and literary constructions of American slavery.